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In the current state of photojournalism people often ask why I'm chasing a career in this seemingly dead industry. Almost everyday for the past year another professor, journalist or editor claims 'that's it, it's dead' and assigns a time and date to the official death of photojournalism.
Personally, I regard these statements somewhat stubbornly ... to tell the truth I hardly pay attention.
The most relevant statement I've come across is that photojournalism is such a young industry that hasn't yet had a chance to figure out what it is let alone where it's headed - I admit I was sleep deprived ranting when I compared photojournalism's journey to carpentry - from entwining twigs with leaves for shelter to carving wood for added stability, from stone to brick and a change of tools - which came first the hammer or the nail - in recent years steel frames are showing benefits over traditional wood, changing the industry once again.
Sure, there's been a huge change since film turned to digital. What was once a niche industry has been sprung open with consumer Dslr selling for under $1,000 that are more than capable of capturing a publishable image, then there's the iPhone camera phenomenon; but at the end of the day photojournalism is still about capturing stories.
Nothing to say through an image, no context to a photo, nothing to engage with. Which obviously isn't the case.
I guess that's why I'm doing this. Because I engage with stories. As long as there's a story worth telling I'll try my best to do it justice. Distribution, funding and the traditional newspaper + photojournalist model that we once knew is undergoing an overhaul as we sit back and go with it; as it changes and mutates we're still a society of images, and a picture still tells 1,000 words. Add multimedia and it grows substantially.
Where is this industry headed? No idea. And I don't care. There's still a thousand lifetimes of stories out there, my only hope is that I can sample a few of them.